Work backward from the image
I set the camera and composition first, then work out the FX, lighting, and compositing the scene needs.
I'm Lee Joon-suh, a media artist.
I use light and simulation to build the atmosphere of a space. I make exhibition films with Unreal Engine and Houdini, and I am extending the same spaces into interactive pieces that visitors control directly.
I run Nyangbanjip, an AI short-form channel whose most-viewed episode exceeded 5 million views. Alongside image and video production, I use AI-assisted development for an Unreal Engine exhibition application and an FPS prototype.
Working approach
Build small, then verify
I test input responses and heavy simulations separately before bringing the working setup into the full project.
Production capabilities
Unreal Engine interaction
Click input, state changes, exhibition UI
The Shelf of TimeCamera-driven visuals
Camera input, contour extraction, output
TouchDesigner Visual ExperimentSpatial media
Anamorphic, exhibition film
Seoul: The Beauty of the Four SeasonsCinematic production
Direction, Sequencer, camera, lighting
NEOS: LAST HOPEHoudini FX
FLIP simulation, look development, lighting
Flowing Starry Night, Sunset of StarsGenerative production
Image and video generation, retouching, compositing
The Technology to Endure